Venezuelan cuatro virtuoso Jorge Glem will bring CAMBUR PINTON, “Mi Historia en Cuatro Cuerdas,” to Jeanne Wagner Theatre in Salt Lake City on Sunday, June 28, 2026. For English-speaking readers in the region, this is a concrete chance to hear the Venezuelan cuatro as a solo storytelling instrument on a U.S. stage.
Event details
- Artist: Jorge Glem
- Event: CAMBUR PINTON, “Mi Historia en Cuatro Cuerdas”
- Date: Sunday, June 28, 2026
- Time: 8:00 PM MDT
- Venue: Jeanne Wagner Theatre, 138 W 300 S, Salt Lake City, UT 84101
- Main event link: Bandsintown event listing
- Supporting event link: Apple Music concert listing
Jorge Glem, one of the most internationally visible voices of the Venezuelan cuatro, is bringing CAMBUR PINTON, “Mi Historia en Cuatro Cuerdas,” to Salt Lake City on Sunday, June 28, 2026.
The concert is listed for 8:00 PM MDT at Jeanne Wagner Theatre, 138 W 300 S, Salt Lake City, Utah. The event listing describes the program as an intimate musical storytelling show where Glem shares his story through anecdotes, humor, nostalgia, and live music.
For TuCuatro readers, this is more than a tour-date notice. Jorge Glem has helped introduce the cuatro to audiences far beyond its traditional settings. As a soloist, collaborator, and founding member of C4 Trio, he has shown how the instrument can move through Venezuelan rhythms, jazz, popular music, and concert settings while keeping its unmistakable voice.
That makes CAMBUR PINTON a useful listening opportunity, especially for students and culturally curious listeners. A live performance like this lets the audience hear the cuatro as rhythm, melody, percussion, harmony, and storytelling at the same time. It is the kind of concert that can make a beginner ask, “What else can this small instrument do?” and make an advanced player listen more carefully to phrasing, groove, tone, and stage presence.
If you are in or near Salt Lake City, check the official event link for current ticket details, timing, and venue information before attending. If you are learning the cuatro from elsewhere, this is also a good reminder to explore Jorge Glem’s recordings and performances as part of your listening practice.
The cuatro is not only an instrument from memory or tradition. In the hands of artists like Jorge Glem, it is still traveling, still speaking, and still finding new rooms to fill.
Keep listening and learning
To keep exploring the Venezuelan cuatro through TuCuatro, you may also enjoy this TuCuatro article on C4 Trio and Jorge Glem in Spain, our note on C4 Trio in Montreal, the TuCuatro instrument buying guide, and the TuCuatro courses.
